The thesis project is centered around the illustrious Iveagh Markets located in the Liberties. The owners of this remarkable site have long held a deep reverence for its structure, perhaps even to the point of being overly cautious about making any alterations. However, the project aims to strike a balance between preservation and revitalization by exploring the concept of “stabilizing” derelict structures. We delve into the realm of architectural interventions that not only introduce new materials and spatial elements but also pay homage to the layers of time and the previous inhabitants who have left their mark on this cherished space. Our approach can be likened to that of a skilled gardener tending to a garden, infused with meticulous care and thoughtful consideration.
At the heart of our project lies the fundamental goal of rejuvenating derelict structures by envisioning alternative methods to “stabilize” them. The excavation of the ground floor slab of the market exposed ruins from 17th-century Dublin but also compromised the structural integrity of the columns holding up the balcony and roof structure. Over the next 23 years, rain pours down through the ceiling, and plants grow wild reaching out towards the sun. The scaffolding structure proposed integrates itself to provide structural support and also a spatial function. It rethinks how the former dry market hall can be used as a “Chameleon” Space which changes its function based on how platforms can be installed on the scaffolding structures and bamboo blinds can control access and light.
Remaining faithful to this guiding principle, we carefully select materials that are both easy to install and maintain. By doing so, we ensure the longevity of our interventions while harmoniously integrating them within the existing fabric of the building. Our comprehensive study encompasses various aspects such as structure and function, allowing us to propose interventions that enhance the site’s overall integrity. Through this project, we aspire to honor the essence of the Iveagh Markets while breathing new life into its dormant spaces.
‘Every day is a journey, and the journey itself is home’ Basho
A personal tale, common to many; away from home, on a distant shore, caught up the ebb and flow of the everyday, we lose ourselves. Divided by political headlines, our memories become eroded. Missing home, I lament.
If only momentarily, we dream of escape. Conjuring an otherworld, we ostensibly undertake a journey; physically and in parallel a deeper discovery into oneself, from sound to silence.
Idealized, imagined utopias. Islands exist in a semi dream-like state. A distant memory or creation of our imagination.
Tangible: Tory Island, shrouded in mythology sits isolated, silent. Resting on the shore the Arrivals Hall a shelter for islanders and visitors, a space for exchange, offers an opportunity to share stories. Connected sits hulled structures host fisheries and touristic functions support year-round sustainable economic activities.
The Music Hall; linked by a rhythmic pathway, a conduit between earth and sky; musicians as translators evoke the intangible mythological lore. Drawing from the granite geo-scape, legends of Tory converge with tales of distant lands. In the mode of Irish traditional music, the spaces promote a culture of oral transmission, of exchange. The tunes, vehicles for emotional expression making the invisible visible.
Departing, leaving this Atlantic edge, I return home, spirit reawakened ready to begin again.
Music and Architecture are often compared in loosely aesthetic ways, making connections between the nature of composition in both fields, but this analogy serves a purely philosophical end. This thesis aims to bring back the diminishing world of harmony, proportion and order to architecture through a retelling of the musical analogy and a new definition that prioritises tangible experience of such harmonies.
The thesis tracked the history of harmonics to its recent decline and considered ways that we could think about harmony that begin with human optics and mentalities, rather than it’s divine origin.
The universal ideas put forward here have been manifested in a new GAA club for the town of Mountbellew in Co. Galway. Harmony can exist anywhere once there has been proper consideration for a building’s parts, systems and their interrelationships.
In this field in Galway, downpipes and expansion joints become classical colonnades, and plasterboard, pvc and linoleum are all used to make a beautiful place that from time to time will spark a sense of harmony in its users.
